Got me listening now Martin @port perran . Godley and Creme have long gone but this is one of my favourite 10cc numbers live from 1982...

https://youtu.be/wGB59HuKu-I?feature=shared

Tight as a duck's... bit proggy as well. Very underrated band.

Cheers,

Tim

 

Now then Martin @port perran , very interesting. 10cc was of those bands that I liked at the time but very rarely listen to now. I saw them live in Barnstaple in August 1974, I was working at Saunton Sands Beach as a er "beach boy" before joining British Rail. At that time, they had only released "Sheet Music" and to be honest I cannot remember much about the gig at all. "I'm Not in Love" arrived nearly a year later, technically way ahead of its time and very memorable. In 2011, I saw Graham Gouldman's 10cc in High Wycombe and thoroughly enjoyed the performance - very entertaining and professional. Here they are from that same tour at Swansea...

https://youtu.be/fI2FC36lXXQ?feature=shared

Nice cover as well, quite different - some of her other covers are good as well - thanks for posting!

Cheers,

Tim

PS been out on the sea wall today?

Wow what a find.

Of course it's tinged with sadness of the late gentleman passing away, but it would be so much worse for it all to be destroyed forever.

Just wish it was on YouTube rather than Ticky Tokyy

Skyline2uk

That would be a definite selling point for a house for me

Still on the subject of covers, I've always rather liked I'm Not in Love by 10cc but.....
Is this slower, jazzy version by Karen Souza better?

https://youtu.be/-G96CmzUnRk?si=4u4wrKfFj5X_T0lz

Some rather nice keyboard work I think.

Does anyone know of a 3d printed Mk1 Inspection Saloon?
I'm looking into modelling 999508:
https://flic.kr/p/2btJzTr
The inset panels were a later addition which I'd be happy to add.

Ultima/Etched Pixels used to do a conversion kit for the old Farish BG but I was wondering if there was something more up-to-date that wouldn't look out of place next to repainted Blue Riband standard Farish Mk1s.

Modifying the NGS/Farish LMS version would be hard work. The under-frame would need swapping, end windows replacing and doors/windows are in the wrong places.


Steven B

PARENTAL GUIDANCE ADVISED

"Eli, you seem lost in thought", Sylvia gently remarks. "Is everything okay?"

"I could ask you the same, Sylvie." Eli smiles faintly. "You've been quiet too."

"I guess we both have a lot on our minds." Sylvia nods. "I've been thinking about Jeremy and this evening's grand Christmas Ball."

"What a coincidence!" Eli laughs softly. "I've been thinking about Giles and the Ball too.

"Really, Eli? What about Giles?"

"Well, I was just picturing how he would look this evening in the outfit he purchased with Jeremy in London." Eli blushes. "And... I guess I'm a bit nervous about the dancing."

"Eli, Giles will look very dashing!" Grins Sylvia. "Remember, they have both purchased the very best that London's finest gentlemen's outfitters have to offer. And don't worry about the dancing. All of us have practised together enough times in London, remember?"

"Thanks, Sylvie." Eli smiles gratefully. "That means a lot, Sylvie. What about you? What's on your mind about Jeremy?"

"I'm just..." Sylvia sighs. "I'm just hoping that the Ball will be a magical night for all of us."

"Sylvie", Eli states reassuringly. "The way Jeremy looks at you, I'm sure it will be. Let's look forward to it together, okay?"

"Yes, let's do that." Sylvia smiles. "Here's to a magical Christmas Ball!"

Sylvia and Eli, each holding a delicate champagne flute, exchange a knowing look. With a soft clink of their glasses, they tilt their heads back, the golden liquid sparkling in the dim light. The bubbles dance on their tongues as they savour the sweet, crisp taste of the 'Dom Pérignon'. The last drops of the effervescent drink trickle down, leaving their flutes empty but for the lingering scent of celebration.

Setting her empty glass down, Sylvia turns to Eli, a twinkle in her dark brown eyes. "You know", she says, her voice soft yet firm, "I think I know just what we need to help us relax."

Sylvia confidently leads Eli by the hand towards the shower. "We must be ready for our admirers tonight, my dear."

The small side room with its black and white tiling is dimly lit with soft, flickering scented candles casting dancing shadows on the walls. The warm, moist air is filled with the intoxicating scent of exotic flowers and spices, creating an atmosphere of sensuality and pleasure.

Without a word, Sylvia reaches out and begins to unbutton Eli's silk dressing gown, her fingers skimming over the delicate fabric. The gown falls open, revealing Eli's ample cleavage.

In response, Eli reaches out to help Sylvia with her own dressing gown, her fingers deftly undoing the buttons as she admires the beautiful young woman before her.

With their dressing gowns removed, the two women stand before each other, their breaths quickening with each passing moment. Sylvia reaches out to stroke Eli's cheek as she studies her dearest friend. Eli, with her freckles, cornflower blue eyes, and full lips, draws immediate attention, she reflects, wherever she goes. Some are captivated by her narrow waist and broad bosom, while others appreciate the dancer's grace with which she moves. Eli's figure invites both admiration and intrigue—a canvas of curves that gently emphasise her femininity. She carries her body with pride, unapologetic in a world that often demands conformity. Whether whispered compliments or lingering glances, her appearance leaves an indelible impression on those who encounter her. At twenty-two years old, Eli's spirit is as untamed as her hair, and her uninhibited laughter echoes loud and long.

As they move closer together, Sylvia gently reassures her. "Don't worry, dear Eli. All will be fine."

Entering the shower cubicle, Sylvia gently closes the door behind them, enveloping the two close friends in the intimate space. She turns on the water, adjusting the temperature to a perfect balance of warmth and coolness. The sound fills the air, a symphony of relaxation and indulgence.

Possible solutions/inspirations: https://www.shapeways.com/shops/maridunian-models?li=pb

I have just started a TPM 442 kit i have had for years i was sure i had got transfers for it but could not find them so i order some new ones guess what the new ones arrive I open a draw to put them away to see the missing set looking at me I looked in that draw twice oh well i have spares if i muck the job up